OrganWorks × Nagelhus Schia Productions 2
Exchange Program
『51/49』
February 22nd-24th, 2025
Session House, Tokyo
◆Cast
<OrganWorks>
Tamara
Lemi Murai
Shintaro Hirahara
<Nagelhus Schia Productions 2>
Nora Lønnebotn Svendsgård
Carl Peters
Elliot Norell Strinnö
Johanne Annesdotter Skogstad
Sigurd Aleksander Eriksen Bolstad
Shintaro Oue
◆Staff
Direction • Choreography: Shintaro Oue
◇In Japan
Stage Manager: Shunsuke Nabeshima
Lighting Design: Miho Ishizeki
Lighting Assistant: Ayaka Hara
Sound Director: Natsumi Hasushi
Promotional Photo: YUSUKE OISHI(MARCOMONK)
Promotional Desiner: SHIN-Design
Production・Promotion: OrganWorks/Maho Takahashi, Taeko Machida
RACKA Inc.
Promotion Support: yixtape
Support: Ippei Shiba, Haruka Watanabe, Chinatsu Horikawa, Keiya Kuramoto,
Nozomi Furuse, Sayaka Tateyama, Yuina Kitao, Azuri Kawamura,
Neon Sugimoto, Yukino Tanaka, Miki Sasaki, Miu Mochizuki
◇In Norway
Rehearsal Director: Kristin Hjort Inao
Costume designer: Lillian Baur, Ayana Ishihara
Seamstress: Ayana Ishihara
Lighting Design: Kjetil Moslåtten
Sound design: Terje Wessel Øverland
Photo: Tale Hendnes
Producers: Tara Ishizuka Hassel (NSP)
Nagelhus Schia Productions:
Artistic Director: Guro Nagelhus Schia
Assisting Artistic Director: Vebjørn Sundby
Rehearsal Director: Kristin Hjort Inao
Producer: Tara Ishizuka Hassel





Photo by Tale Hendnes
[Overview of the Crowdfunding Campaign]
We Want to Respond to an Urgent Offer from Norway!
OrganWorks International Activities Support Project.
The crowdfunding campaign has successfully ended,
raising a total of ¥2,138,988 from 162 supporters, surpassing our goal!
We are deeply grateful for your generous support—thank you so much!
List of Supporters

Grant: EU-Japan Fest Japan Committee
Cooperation: RACKA Inc./Hiroshi Morishima, Session House, CAMPFIRE,
G-Screw Dance Labo, Dance Base Yokohama, Retreat Studio myak_脈
Planning, Production,Organaization: Craneo inc.

Special Thanks
Masayuki Kagei, Akira Kasai, Yuri Kanchiku, Tamiyo Kusakari, Kazunori Kumagai, Tomohiko Tsujimoto, Chobi Natsuki, Mirai Moriyama, Sho Yakumaru


And then there’s money, paper.
Well, paper will disappear, it’s all going digital now.
It’ll disappear before me.
But I’m 50. Maybe another 30 years?
I hope I can live that long.
I don’t mean to dwell on that sad story.
Because probably, in another 50 years, no one here will be here anymore.
Sorry. But it’s true.










